Mechanical parameter: Main unit: Size: 438*216*94 mm Weight: 4.3Kg.of the AC adapter: AC input 90V to 250V, 50/60Hz, DC output 12V/6A power:15W Packages supported: DIP, SDIP, PLCC, JLCC, SOIC, QFP, TQFP, PQFP, VQFP, TSOP, SOP,TSOPII, PSOP,TSSOP,SON,EBGA, FBGA, VFBGA,uBGA,CSP,SCSP.Supported devices: EPROM, Paged EPROM, Parallel and Serial EEPROM, FPGA Configuration PROM, FLASH memory(NOR & NAND)n, BPROM, NVRAM, SPLD, CPLD, EPLD, Firmware HUB, Microcontroller, MCU.Online Technical Support is also available 24 hours or you may call us during our business hours through Friday 8:30am to 5:30pm (Beijing Time).Programmer is warranted to be free of manufacturing or workmanship defects for one year from the date of purchase.Over-current and over-voltage protection for safety of the chip and programmer hardware.Serial numbers generators are available as standard or customer-specific functions. Password can be set for project files and production volume controlīatch command combines device operations like program, verify, security into a single command at any sequence. Project function simplifies processes such as device selection, file loading, device configuration setting, program option, and batch file setting into one touch step. ![]() Production mode start chip operation at the moment the chip is inserted in the socket properly. (+5%~-5%) and (+10%~-10%) Vcc verification enhances programming reliability.
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![]() “I just realized really quickly that this is not my game, and they don’t want what I have,” he said. “Everyone wants to know what you want to do next,” he said, recalling how several producers suggested turning his ideas into series. “The camera is the most control it’s ever been in one of my movies.” The conversation turned back to his reservations about working in L.A. “I consider this my big movie,” he said, with utter seriousness. ![]() Needless to say, he doesn’t expect to do another round in Hollywood. “He’s the original weirdo filmmaker, but it doesn’t seem like he’s had enough of an impact on modern day stuff.” (Potrykus acknowledged that Darren Aronofsky’s “mother!” also tipped its hat to “The Exterminating Angel.”) ![]() “Not enough people steal from Buñuel,” Potrykus said. He modeled the movie’s premise on Luis Buñuel’s classic 1962 film “The Exterminating Angel,” which follows a group of affluent dinner guests unable to leave the party for inexplicable reasons. “It’s the most money I’ve ever spent on one thing ever,” he said. “We had no idea how to fix a shelf.” He spent the bulk of his budget on a single, violent practical effect that arrives in the movie’s closing minutes, rejecting suggestions from filmmaking peers that he should just use CGI. “We’re like two dudes who don’t know how to make a set,” Potrykus said, grinning. Potrykus modeled the set on his college dorm room, and spent four months building it from scratch in the garage of a home owned by production designer Mike Saunders’ parents. “On our New Years’ Eve party in 1999, I wanted to turn off all the lights and turn them back on just to see what was working.” “I love those movies where there’s a ticking clock,” he said. “Like, why hadn’t anyone made a movie about that paranoia?” He compared the plot of “Relaxer” to the 1988 thriller “Miracle Mile,” which stars Anthony Edwards facing the prospects of nuclear war breaking out in a single Los Angeles neighborhood over the course of a day. Potrykus described the character as “this manchild focused on a goal that’s so absurd,” and reflected on the setting, which he recalled with vivid memories from his college days. A hilarious dose of surrealism and outlandish apocalyptic humor, the movie builds to a wry statement on the end of the analog era, and the 20th century along with it. Rather than leveraging that attention to attract big stars and budgets, Potrykus has retreated further into his homegrown world.įor “Relaxer,” which makes its New York premiere at BAMcinemeaFest this week ahead of a release by Oscilloscope Laboratories next year, Potrykus re-teamed with perennial collaborator Joshua Burge as a man glued to a Nintendo 64 for weeks and weeks, fighting to defeat an impossible level of “Pacman” before 1999 reaches an end - and possibly the world as well. His anarchic black comedies - including the acclaimed capitalist satire “Buzzard” - have screened at festivals around the world, from SXSW to Locarno. Needless to say, he’s not your average breakout story. ( More of a Comment, Really… is a proud member of the Chicago Podcast Coop.Potrykus teaches film production at Michigan State University, and launched the production company Sob Noisse out of his native Grand Rapids in 2005. (You can read our review of Relaxer here.)Ī movie like this requires either no explanation or heaps of it, so we got Potrykus on the line to talk about the origins of the project, working with his muse Joshua Burge, the freedom (and restrictions) of filming in a single locked-down apartment, and more. But the tale of a layabout twentysomething (a haunting Joshua Burge) stuck to a grimy leather couch, resolving to not eat, drink, sleep or get up until he reaches Level 256 of Pac-Man, on the cusp of the new millennium, is uniquely gut-wrenching in surprising ways. Joel Potrykus‘ Relaxer is an odd film to pin down – it’s a slacker movie, a dark millennial comedy, a gruesome work of body horror, a harrowing interpersonal sibling drama, and a million other things. Welcome back to More of a Comment, Really… , a weekly interview show hosted by Clint Worthington! Every episode will feature interviews with actors, filmmakers, producers, and more, giving you the skinny on the latest films and TV. ![]()
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